
Six contemporary artists opening new ground in bijinga, shown alongside the masters who laid its foundations.
Contemporary artists: Yasunari Ikenaga, Toko Okamoto, Ayana Otake, Ayano Oki, Arisa Yamamoto, Kao Tzu-ting
Historical artists: Kaburaki Kiyokata, Takehisa Yumeji, Ito Shinsui, Koiso Ryohei, Fujita Tsuguharu and others

秋華洞+SCENA.ブースでは、
池永康晟、岡本東子、大竹彩奈、沖綾乃、山本有彩、高資婷の6人の作家による新作美人画と
美人画の礎を築いてきた鏑木清方、伊東深水、竹久夢二、藤田嗣治、小磯良平など珠玉の名品をあわせて紹介いたします。
池永康晟は日本特有の「美人画」の伝統を新たに更新し、世界へと発信する美術史的にも重要な作家です。
続く次世代の作家たちも、独自の解釈や表現をもって美人画の土壌を育み、その裾野をいっそう豊かに広げています。
岡本東子は美しいだけではない強かな女の性じっくりと描き、
大竹彩奈は日常に溶け込む普遍的な女性美を追求し、
沖綾乃は美人画の枠組みにとらわれない人間の本質に肉薄します。
山本有彩は繊細な日本画表現とサブカルチャー的要素を融合させ、
高資婷は古典的故事を現代の女性像と写し込み美人画の高みを目指します。
美人画の土台を作った巨匠たちの功績と、現代に生きる新たな美人画の継承者たちによる共演。
美人画の伝統から最先端へといたる系譜をどうぞお楽しみください。





Conspicuous trait of Japanese painting is to depict the object with subtle lines.
Today, Otake Ayana may be second to none who has full command at using the brush to draw the subtle line.
With much scruple yet much ease she deftly manipulate this line to depict the voluptuous grace of the beauty.
The most suitable way of depicting the womanliness lies in the subtle line of the technique of Japanese painting. Her works demonstrate clearly this fact and are still going to develop for aging.
Painted in colour laid on as roughly as spilled coffee, her women receive men at the edge of the senses, and they throw their gaze back out at us from the other side of the picture, wanting something deeper and stronger.
In a Japanese figure-painting scene that goes on rendering the surface of women with hard skin, the fierceness she keeps hidden is singular.
Her painterly view — never letting go of sensuality, of human existence, or of an affection for and a questioning of the being of things themselves — produces a tension that only art can hold. She might be called a Japanese Egon Schiele, yet her sensuality lacks Schiele's European compulsion; it seems instead to point towards a very Japanese, optimistic longing for happiness.
Taking the ancient events and the ghost stories as motives she cultivates the genre of transparent beauty painting in modern age based on the technique of Japanese painting.
Her profound thought and respect on the history of Japan and Taiwan makes her works prominent and powerful.


