We have long presented the line of descent of bijinga, from the classical to the contemporary. How will the next generation carry on the world that Kiyokata, Yumeji and their peers made so rich? Toko Okamoto and Ayana Otake, both painters of assured technique, take a woman’s wanting as their subject.
Works in the exhibition may be reserved in advance. For details please write to info@syukado.jp or call +81 3-3569-3620.

We have long presented the line of descent of bijinga, from the classical to the contemporary. How will the next generation carry on the world that Kiyokata, Yumeji and their peers made so rich? Toko Okamoto and Ayana Otake, both painters of assured technique, take a woman’s wanting as their subject.

Works in the exhibition may be reserved in advance. For details please write to info@syukado.jp or call +81 3-3569-3620.

Exhibition Information
ExhibitionToko Okamoto and Ayana Otake | Tokyo Art Club Fair 2019
DatesOctober 4 (Fri) – October 6 (Sun), 2019
VenueTokyo Art Club (6-19-15 Shimbashi, Minato-ku, Tokyo)
HoursFri 4 October: 11:00 - 20:00

Sat 5 October: 11:00 - 18:00

Sun 6 October: 11:00 - 17:00
NotesBooth 3-22.

Admission 1,000 yen at the door. Please see the official website for details.
自分の存在を認めさせたいという欲には果てがない。(岡本東子)
岡本東子「底なしの愚」
岡本東子「底なしの愚」
Toko Okamoto
Born in Kyoto and earned a MFA degree in Japanese Style Painting from the Tokyo University of the Arts, Okamoto Toko is a Japanese painter who looks straight at the essence of what she is painting, especially the delicacy of women depicted with refinement as if you could feel the temperature, humidity and the air rising from the surface of the work, a mysterious world created by her great artistic senses. It is hard not to be captivated by her intense and amazing works.
盲目的にむさぼり愛した、その行く末を描きました。(大竹彩奈)
大竹彩奈「 愛欲」
大竹彩奈「 愛欲」
Ayana Otake
Born in Saitama prefecture in 1981. Graduated from the Tokyo University of the Arts, PhD. in Japanese Paintings
Conspicuous trait of Japanese painting is to depict the object with subtle lines.
Today, Otake Ayana may be second to none who has full command at using the brush to draw the subtle line.
With much scruple yet much ease she deftly manipulate this line to depict the voluptuous grace of the beauty.
The most suitable way of depicting the womanliness lies in the subtle line of the technique of Japanese painting. Her works demonstrate clearly this fact and are still going to develop for aging.